* I prefer dongulation

laughing-hotei

It is, I think, increasingly clear that parameters of this kind provide an essential corrective to the obsession of sanity. More and more, one feels that free and dominant methods are loud, tough, and frequent. Obviously, closed corners must be very carefully under-rated; otherwise, popular notions of frame and texture will show that the entire system is purely academic, and that the particular point of convergent energies is that they are finally globular.
Cows are, naturally, free of dust. But stops are most difficult to try. The real problem is that quills are too fat, and until we can easily connect ideas with tassles the function will be empty. Not that this would be equal: it is only that disproportionate combinations have an existential dimension which is, all too often, gullible.
On the whole, I prefer dongulation. It is prepid, snord, and tart, and the vallifaction of an estimate is grolic. Churdles and mards will always require fronicks, and lapsy daddles are usually bequeathed to the snorder kind of lumpens. Bolliwots are frankly bespoken, and every mutter-hound is a preposterous garble of tonsils. I have no wish to be snerdily previous: It is merely that wumpens and drabs are vollible, and that any further toculation would be groanly unspecified.

 

*Quotation above are taken from Alan Watt’s “Nonsense”

**Painting “Laughing Hotei” by Kogan Genge

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